Brotherhood in Rhythm; The Jazz Tap Dancing of the Nicholas Brothers
New York: Oxford University Press, 2000. First Printing [Stated]. Hardcover. xvi, 320 pages. Foreword by Gregory Hines. Illustrations. Notes. Glossary. Bibliography. Index. Constance Valis Hill, professor emerita of dance, has a Ph.D. in Performance Studies from New York University; M.A. in Dance Research and Reconstruction from City College of the University of New York; Bronze Certificate from the International Society of Ballroom Dance; and a Character Mask certificate from Pierre LeFevre at the Juilliard School. Professor Hill has taught at the Alvin Ailey School of American Dance, Conservatoire d'arts Dramatique in Paris, and New York University's Tisch School of the Arts. As a choreographer, director, and mask specialist, she has worked with the French playwright Eugene Ionesco; Czech scenographer Josef Svoboda; Romanian director Liviu Ciulei, and Toni Morrison on her play Dreaming Emmett, directed by Gilbert Moses. Her writings have appeared in such publications as Dance Magazine, Village Voice, Dance Research Journal, Studies in Dance History; Discourses in Dance, and in such edited anthologies as Moving Words: Re-Writing Dance; Dancing Many Drums: Excavations in African-American Dance; Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader; Taken By Surprise: A Dance Improvisation Reader, and Kaiso! Writings By and About Katherine Dunham. Her book, Brotherhood in Rhythm: The Jazz Tap Dancing of the Nicholas Brothers received the Deems Taylor ASCAP Award. More