![[Book #11761] Footprints on the Moon, by the Writers and Editors of the Associated...](https://groundzerobooksltd.cdn.bibliopolis.com/images/noimage.png?auto=webp)
New York: The Associated Press, 1969. Quarto, 216, profusely illus. in color, index, DJ scuffed and creased: small tears, small pieces missing, larger piece missing at spine. More
New York: The Associated Press, 1969. Presumed First Edition, First printing. Hardcover. Quarto (approximately 9.25 inches by 12.25 inches). [8], 24, [3]6 pages. Illustrated endpapers. profusely illus. in color. Index. Ex-library with the usual library markings. The DJ has some wear and soiling and is in a plastic sleeve that is attached to the boards. It’s a journalistic countdown leading to the day and the hour when astronaut Neil Armstrong took “one small step” for man on the lunar surface, the inside story of how America won its race to the moon. Initially running 214 pages, “Footprints on the Moon” was first published by AP in 1969, after the Apollo 11 mission that took Armstrong, Buzz Aldrin and Michael Collins on their historic journey. Indeed, the book was dedicated to the three men “and their myriad technical experts who made the flight possible.” John Barbour, AP’s lead writer on the book, covered the nation’s manned space missions, including the 1969 triumph. More
Cleveland, OH: Case Western Reserve University Film Society, 1979. No. 1 [Stated] [PREMIER ISSUE}. Wraps. The format is approximately 8.5 inches by 10.75 inches. 72 pages, plus covers. Illustrated front and back covers. Illustrations. RARE SURVIVING COPY! This was intended to be a quarterly publication. Its date of publication is not stated in the document, but is believed to be about 1970. The latest publication date of books reviewed is 1969. Its purpose was "...to clarify relationships, establish appropriate contexts, and, in short, to suggest some of the attitudes and techniques that film directors have used in communicating their themes..." Mise-en-scene, is a term used in the legitimate theater and the cinema that refers to the arrangement of volumes (objects, actors, sets, etc.) in space within a given area. In the theater, this arrangement is three-dimensional and is usually confined by the proscenium arch. In movies, the mise-en-scene is photographed onto a two-dimensional screen, and is confined by the film frame, the metteur-en-scene, and in both cases the director, but because the theater is essentially a verbal medium, the stage director acts largely as an illustrator and interpreter of the playwright's ideas. film is essentially a visual medium, and thus the movie director's mise-en-scene is the basic technique of artistic expression, for that e are far more individual shots in a film than there are scenes in plays. More