New York: Doubleday, Doran & Company, Inc., 1938. Hardcover. xxiii, [8], 335, [1] pages. Illustrations (some in color). Glossary,. Bibliography. Index. Decorative binding. Decorative endpages. Corner slightly bumped. More

New York: Simon and Schuster, [1973]. 25 cm, 735, some soiling to edges & endpapers, DJ worn with several tears, highlighting in several chapters, some pencil underlining to txt. More

Boston, MA: Harvard Business School, c1999. First Printing. 24 cm, 313, illus. More

Maxwell School of Citizenship, 1961. Seventh Revised Edition. Wraps. 144 p. More

New York: Hermitage House, c1951. Second Printing. 22 cm, 222, illus., boards soiled, corners bumped, ink notation inside front board. More

New York: Brunner/Mazel, [1972]. First? Edition. First? Printing. 26 cm, 935, DJ worn and torn at edges, DJ soiled. More

New York, NY: Twelve, 2009. Reprint. Third printing. Hardcover. Sewn binding. Cloth over boards. x, [4], 304, [2] p. Figures. Notes. Bibliography. Index. This is a Council on Foreign Relations book. Maps. More

Madison, Wisconsin: University of Wisconsin Press, 2004. First Printing [Stated]. Hardcover. xi, [1], 483, [1] pages. Illustrations. Maps. Some yellow highlighting noted. Stamp on bottom edge. Sticker residue on back cover. Contains List of Illustrations, Illustrations. Maps. Preface, Notes, Bibliography, and Index. Chapters cover France's First Empire: Gains and Losses; Bugeaud and the Conquest of Algeria; Faidherbe of Senegal and West Africa; Gallieni and Joffre: Colonials Tragically Intertwined; Lyautey: Prince of Proconsuls; Heirs to Lyautey; The Twilight of French Colonialism; Bigeard: Last of the Line in Vietnam and Algeria; and "A Remnant Shall Remain...". Contains 7 photographs, and 3 maps. Inscribed by Alain Cohen (not an author and not mentioned in the Index, may be noted security professional) to General Petraeus on the half title page. Inscription reads: To General Petraeus, The Marcel Bigeard of our generation. I present you my well-worn copy of a superb book about the cultured generals who shaped and defended their greater Republic. I hope you enjoy it as much as I did. Respectfully, Alain Cohen. Cultured Force is a revisionist work, first because it takes vigorous issue with prevalent negative views of colonial activity, second because it presents most of the military figures who are the heroes of the tale as cultivated, sensitive, all-round men. And its focus on individual personalities brings the story to life, filling it with anecdotes and color. The result is intriguing, mostly convincing, sometimes demanding, and quite fascinating. More

London: Oxford University Press, 1958. 728 + plates, v.4 only of the 5-vol. set, illus., color frontis illus., maps, figures, references, bibliography, index, usual library markings. More

New York: Monthly Review Press, 1981. First Printing. 256, tables, notes, index, DJ somewhat soiled. More

Garden City, NY: Doubleday & Company, Inc., 1981. Second printing [stated]. Hardcover. viii, [4], 259, [1] pages. DJ has some wear and soiling. Autographed copy sticker on front of DJ. Signed by the author on the half-title page. Colorfully illustrated endpapers. Illustrations (including color plates). Isaac Bashevis Singer (November 11, 1903 – July 24, 1991) was a Polish-born Jewish-American writer who wrote and published first in Yiddish and later translated himself into English with the help of editors and collaborators. He was awarded the Nobel Prize for Literature in 1978. A leading figure in the Yiddish literary movement, he was awarded two U.S. National Book Awards, one in Children's Literature for his memoir A Day Of Pleasure: Stories of a Boy Growing Up in Warsaw (1970) and one in Fiction for his collection A Crown of Feathers and Other Stories (1974). In 1935, four years before the Nazi invasion, Singer emigrated from Poland to the United States. He was fearful of the growing threat in neighboring Germany. Singer settled in New York City, where he took up work as a journalist and columnist for The Jewish Daily Forward, a Yiddish-language newspaper. After a promising start, he became despondent and for some years felt "Lost in America" (title of his 1974 memoir, published in English in 1981). The artists who have illustrated Singer's novels, short stories, and children's books, include Raphael Soyer, Maurice Sendak, Larry Rivers, and Irene Lieblich. Singer published at least 18 novels, 14 children's books, a number of memoirs, essays and articles. He is best known as a writer of short stories, which have been published in more than a dozen collections. More

New York: The Free Press, 1979. First Printing [Stated]. Hardcover. xix, [3], 405, [5] pages. Figures. Tables. Formulae. Some cover wear and soiling. Some endpaper discoloration. Some underlining noted. Cover has some wear and soiling. This work is divided into the following parts, each with one or more sections within in: I. The Normative Orientation; II. The Theoretical Orientation; III. Policy Analysis and Proposals; IV: The Possible Role of Scientific Knowledge; V: The Acquisition of Knowledge; VI: Indicator Construction and Data Acquisition; and VII. Testing Some Preliminary Models. This is followed by Notes, Combined References, Correlates of War Project Bibliography, and Index. J. David Singer (December 7, 1925, New York City – December 28, 2009, Ann Arbor, Michigan) was an American professor of political science at the University of Michigan. Singer was a pioneer in the application of quantitative methods to puzzles in the field of international relations. His major contribution was the Correlates of War project, which he began in 1964 at the University of Michigan. It is a major database of statistics relating to war and its causes. He served in the U.S. Navy during World War II. He held a bachelor's degree from Duke University and obtained a doctoral degree from New York University in 1956. He joined the faculty at the University of Michigan in 1958. More

Chicago, IL: Rand McNally, [1965]. First? Edition. First? Printing. 24 cm, 466, illus., stamp on front endpaper, edges soiled, DJ worn and soiled. More