The Garden of the Finzi-Continis

Jerry Bauer (Photograph) and George Salter (dust j New York: Atheneum, 1965. First American Edition [Stated], Presumed first printing. Hardcover. [6], 293, [5] pages. With the Compliments of the Author card laid in. The illustrated dust jacket has some wear, tears, chips, and soiling. Giorgio Bassani (Bologna, 4 March 1916 – Rome, 13 April 2000) was an Italian novelist, poet, essayist, editor, and international intellectual. In 1935 he enrolled in the Faculty of Letters of the University of Bologna. Commuting to lectures by train (third class) from Ferrara, he studied under the art historian Roberto Longhi. His ideal of the "free intellectual" was the liberal historian and philosopher Benedetto Croce. Despite the anti-Semitic race laws which were introduced in 1938, he was able to graduate in 1939. In 1940, his first book, Una città di pianura ("A City of the Plain"), was published under the pseudonym "Giacomo Marchi" in order to evade the race laws. Also in 1958, Bassani's novel Gli occhiali d'oro was published, an examination, in part, of the marginalization of Jews and homosexuals. Together with stories from Cinque storie ferraresi (reworked and under the new title Dentro le mura (1973)), it was to form part of a series of works known collectively as Il romanzo di Ferrara, which explored the city, with its Christian and Jewish elements, its perspectives and its landscapes. The series includes: Il giardino dei Finzi-Contini (The Garden of the Finzi-Continis, 1962); Dietro la porta (1964); L'airone (1968) and L'odore del fieno (1972). These works realistically document the Italian Jewish community under Fascism in a style that manifests the difficulties of searching for truth in the meanderings of memory and moral conscience. Elizabeth (Isabel) Madeleine Quigly FRSL (17 September 1926 – 14 September 2018) was a British writer, translator and film critic. Between 1956 and 1966, she was film critic of The Spectator. She served as literary editor of The Tablet from 1985 to 1997. She also contributed to numerous journals and newspapers, and served on the jury of various literary prizes including the Booker Prize jury in 1986. She also translated more than 100 books from Italian, Spanish and French. Her most notable translations are Silvano Ceccherini's The Transfer, for which, in 1967, she won the John Florio Prize, and Giorgio Bassani's The Garden of the Finzi-Continis. According to Robin Healey's Twentieth-Century Italian Literature in English Translation, Quigly was one of the top 10 translators of Italian literature of the last 70 years. The Garden of the Finzi-Continis is an Italian historical novel. It chronicles the relationships between the narrator and the children of the Finzi-Contini family from the rise of Benito Mussolini until the start of World War II. The Garden of the Finzi-Continis is considered the best of the series of novels that Bassani produced about the lives of Italian Jews in the northern Italian city of Ferrara. Although the novel focuses on the relationships between the major characters, the shadow of creeping Italian fascism, especially the racial laws that restricted Jews' participation in Italian society, looms over all the novel's events. The novel opens with a brief prologue set in 1957 in which the narrator, an Italian Jew, describes a visit to the Ferrara cemetery where the Finzi-Contini family mausoleum stands, empty in all but two slots: a young child, Guido, who died of illness before the narrator was born; and Alberto, the son of the Finzi-Continis and a friend of the narrator's, who died of lymphogranulomatosis (Hodgkin's disease) before the mass deportation that sent the remainder of the family to a concentration camp in Germany. At this point, the narrator reveals that none of the Finzi-Continis survived. The first part of the book covers the narrator's childhood experiences, describing the various social circles of the local Jewish population and the mystery around the Finzi-Contini children, Alberto and Micòl, who were schooled separately from the other Jewish children and who only appeared at the main school for the annual exams. The narrator fails his math test in this particular year, the first time he has failed any of the annual exams required for promotion, and he takes off on his bike out of fear of his father's reaction. He ends up outside the walls of the Finzi-Continis' mansion, where he has a conversation with Micòl, the Finzi-Continis' pretty daughter. The narrator is invited by Micòl to enter the garden. He excuses himself out of concern for the safety of his bicycle. She then comes over the wall to show him a safe hiding place, but while hiding his bike he dallies in contemplation of Micòl - and loses his chance to see the garden until years later. The next two parts of the book cover the years when the children are all in or just out of college. The racial laws have restricted their ability to socialize with the Ferrarese Christians, and so the narrator, Alberto, Micòl, and Giampi Malnate (an older Christian friend with socialist views) form an informal tennis club of their own, playing several times a week at the court in the Finzi-Continis' garden. During these visits, the narrator declares, shyly at first but more and more forcefully, his love for Micòl. However, her attitude towards the narrator remains one of friendship so that the relationship slowly peters out. The final section of the book covers the slow fading of the narrator's involvement in the tennis club, his futile attempts to restart the romance with Micòl, and his growing friendship with Malnate. Condition: Good / Good.

Keywords: Jews, Holocaust, Finzi-Contini, Garden, Family, Italian Fascism, Racial Laws, Anti-Semitism, Discrimination, Friendship, Romance, Education, Relationships, Narrator, Tennis Club, Deportation, Concentration Camp, Genocide

[Book #87374]

Price: $65.00