The Last Days of Freedom
New York: Vantage Press, 1980. First Edition. Hardcover. 371 pages. Map, DJ worn and torn, small pieces missing along DJ edges, larger piece missing in rear DJ. Signed by the author. More
New York: Vantage Press, 1980. First Edition. Hardcover. 371 pages. Map, DJ worn and torn, small pieces missing along DJ edges, larger piece missing in rear DJ. Signed by the author. More
Ithaca, NY: Cornell University Press, 1966. 330, illus., fold-out maps, ftnotes, apps, biblio, index, lib stamp, barcode, & bookplate, soiling & creasing top margin of few pgs. More
Ithaca, NY: Cornell University Press, 1967. Third Printing. 330, illus., fold-out maps, footnotes, appendices, bibliography, index, front DJ flap price clipped, some soiling to edges. More
n.p. Aina Kai Books, c1995. First U.S.? Edition. First? Printing. 23 cm, 212, slight wear and soiling to boards. Originally published in German under the title: Drachenwind. More
New York: Scribner, 1997. First edition. First printing [stated]. Hardcover. Sewn binding. Cloth over boards. 288 p. More
Malibu, CA: Sugarman Productions, c1993. First Printing. 26 x 31 cm, approx. 125, wraps, profusely illus. with black and white photographs, some wear and soiling to covers. More
New York: Basic Books, 1996. First Printing. 606, illus., notes, listing of Bruno Bettelheim's works, index, some wear and soiling to DJ. More
Detroit, MI: Wayne State University Press, 1985. First? Edition. First? Printing. 24 cm, 285, illus., front DJ flap price clipped, ink marks to flyleaf and residue of removed sticker, small piece of DJ missing. More
Bloomington, IN: Authorhouse, 2007. Presumed First Edition, First printing. Trade paperback. [4], 277, [7] pages. Maps. Illustrations. Glossary. Foreword by Michael Berenbaum. Cover has slight wear and soiling. Comments on books by Herman Taube: "His vision roams over many continents, countless diverse subjects, and a variety of characters. Everywhere he finds a word, an expression, a sound, a thought, a proper noun and together they start singing and form a poem. These poems belong to the never-to be-forgotten witness literature of our time." - ELIE WIESEL "Some poets make of this world a tragedy. Others, like Herman Taube, do not. They look for every spark of light. It is not that he comes singing happy songs - there is a great deal of sadness in his poems. But there is a wonderful strength that rises out of the sadness. But that is not all of this work - for his is not only our poet of the Holocaust in the way that Elie Wiesel is; but he is the poet of the ordinary human being - you and me - who has been to hell, whose life has been irrevocably shaped by the Jewish experience of World War II, but who lives in the world of today, like to rest of us." - MERRILL LEFFLER "His collective works, which span decades, continents and cultures, constitute an eloquent and powerful chronicle of the Jewish experience in our time. It is a record at once intensely personal and universal. And it is, as is his life, a voluble and vibrant legacy, a model of the highest standard for Jewish artists of all ages." - MICHA LEV "Herman Taube has the unique ability to make inanimate objects come alive. More
Old Tappan, NJ: Fleming H. Revell Company, 1975. 90, illus., address sticker inside front board, DJ soiled and creased: large tear in front DJ. More
New York: Jove Books, 1978. Reprint Edition. pocket paperbk, 192, wraps, illus. This is the sequel to The Hiding Place. This is Corrie ten Boom's story, the story of a modest and simple Dutch woman who survived Hitler's death camps to become one of our time's most unique and effective communicators of the gospel of Jesus Christ. This remarkable woman spent the first fifty years of her life living peacefully with her father and sister above their watch shop in Haarlem, Holland. When World War II broke out, this devoutly Christian family instinctively began providing secret places for persecuted Jews. She spent several months in concentration camps as a result. More
New York: The Post War World Council, 1942. 38, wraps, rear cover (and at least 1 page) missing, front cover mostly detached, tape to front cover & inside front cover. More
Cambridge, MA: Harvard University Press, 1990. First Edition. First Printing. 554, illus., maps, index, usual library markings, marginal ink marks in index, somewhat shaken, DJ in plastic sleeve, pasted to bds. More
New York: William Morrow, 2014. First Edition [Stated], First Printing [Stated]. Hardcover. [12], 388 pages. Illustration, Epilogue, Acknowledgments, Source Notes, Bibliography, and Index. Ink underling, marks and comments noted. Previous owner's address label on fep. Tim Townsend, formerly the religion reporter at the St. Louis Post-Dispatch, holds master’s degrees from the Columbia University Graduate School of Journalism and Yale Divinity School. He has written for the Wall Street Journal, the New York Times and Rolling Stone, among other publications. In 2005, 2011 and 2013, he was named Religion Reporter of the Year by the Religion Newswriters Association, the highest honor on the “God beat” at American newspapers. He works with the Pew Research Center’s Religion and Public Life Project as a senior writer and editor in Washington, D.C. Contains chapters on Death by Hanging; Zion; God of War; This Too Shall Pass; The Sun's Light Failed; Judas Window; His Soul Touches the Stars; Book of Numbers; The Brand of Cain; Wine and Blood; It was You Who Invited Me Here. A crucial yet largely untold coda to the horrors of World War II, Mission at Nuremberg unearths groundbreaking new research and compelling firsthand accounts to take us deep inside the Nuremberg Palace of Justice, into the very cells of the accused and the courtroom where they answered to the world for their crimes. Never before in modern history had man accomplished mass slaughter with such precision. These twenty-one Nazis had sat at the right hand of Adolf Hitler, and included Hermann Goering, Albert Speer, Wilhelm Keitel, Hans Frank, and Ernst Kaltenbrunner. More
Chicago, IL: Moody Press, 1963. Seventeenth Printing. Hardcover. 160 pages. Illus., some soiling inside rear hinge, DJ edges worn & small tears, rear DJ soiled. Signed by the author (Tsai). More
Washington, DC: U.S. Holocaust Memorial Coun, [1990]. First? Edition. First? Printing. 174, wraps, covers worn, soiled, stained, and small tears, some discoloration to endpages. More
Washington, DC: U.S. Holocaust Memorial Coun, [1992]. 280, wraps, illus. (some color), covers slightly worn and soiled. More
Washington, DC: U.S. Holocaust Memorial Coun, 1992. 280, wraps, illus., covers somewhat worn and; soiled. Days of Remembrance, April 26-May 3, 1992. More
Washington, DC: U.S. Holocaust Memorial Coun, 1990. 174, wraps, illus., some wear and soiling to covers and text, some edge soiling. More
Washington, DC: U.S. Holocaust Memorial Mus. 1994. Quarto, 448, wraps, illus., map, chronology, glossary, covers soiled & edges worn, small tears at bottom of spine, rear cover creased. More
Washington, DC: U.S. Holocaust Memorial Mus. 1994. 448, wraps, illus., pp. 183-206 loosened and reglued to spine. Days of Remembrance April 3-10, 1994. More
Washington, DC: U.S. Holocaust Memorial Mus. n.d. Quarto, 3, 8-1/2" x 11" sheets stapled in top corner, bibliography, top corner p. 2 bent. More
Washington, DC: GPO, 1981. 24 cm, 56, wraps, map, rear pages crinkled. More
Washington, DC: U.S. Holocaust Memorial Coun, 1988. First? Edition. First? Printing. 28 cm, 56, wraps, usual library markings, edge stamps, some wear and soiling to covers. More
Washington, DC: U.S. Government Printing Office, 2007. Presumed first edition/first printing. Wraps. 23 p. More