Antisemitism in America
Place_Pub: New York: Oxford University Press, 1994. First Printing. 24 cm, 369, notes, bibliography, index. More
Place_Pub: New York: Oxford University Press, 1994. First Printing. 24 cm, 369, notes, bibliography, index. More
New York: BasicBooks, c1996. First Printing. 24 cm, 353, illus., references, notes, index. More
Munich: Comite International de Dachau, 1978. Later edition. Wraps. 229 p. Illustrations. Maps. More
Brussels, Munich: Comite International de Dachau, 1978. Seventh Edition [stated]. Presumed first printing. Wraps. Format is approximately 8.75 inches by 9.5 inches. 229 pages. Illustrations. Sources. 4 page guide laid in. Illustration of principal concentration camps inside front cover and on first fep. Ink notation on title page. Illustrated catalogue intended to accompany the visitor to the Dachau Memorial Museum, through the exhibition and to provide him with a reference guide to all the documents displayed. Barbara Distel was the Director of the Dachau Memorial Museum since 1975 and widely acclaimed as the pre-eminent authority on the history of Dachau, Barbara Distel oversees archival materials dealing with the lives-and deaths-of more than 200,000 persons imprisoned in this first of the German concentration camps (1933-1945). Hers is a singularly significant enterprise since the history of Dachau reflects in many ways the history of the Holocaust itself. Distel began working as an assistant at the museum during her high school years, later earning a degree in library science at the University of Munich. More
New Haven, CT: Yale University Press, c1984. Second Printing. 26 cm, 551, illus., index. More
Old Tappan, NJ: Fleming H. Revell Company, 1973. American Edition. Presumed first printing thus. Hardcover. 190 pages. DJ scuffed, soiled and some wear and tear to edges. Minor staining to fore-edge and edge of some pages. Foreword by Corrie Ten Boom. Johanna Ruth Dobschiner's memoir is truly remarkable and inspiring. As a teenage Orthodox Jew in German occupied Holland during World War II, she found herself alone, navigating life and death decisions. Her escapes from deportation were extraordinary and a testament to her wit. After several close calls and feeling hopeless she decided to trust a stranger who offered a way to disappear in the underground. While in hiding, she began to read the New Testament, and eventually converted to Christianity. More
Wein [Vienna]: Documentation Center of Austrian Resistance (DOW), 2006. Presumed First English Edition, First printing. Wraps. 95, [1] pages. Illustrations. Format is approximately 11.5 inches by 9 inches. The Documentation Centre of Austrian Resistance (DÖW) was established in 1963. Its main topics deal with research concerning resistance and persecution from 1934 until 1945, exile, Nazi crimes, right-wing extremism after 1945, and victims' reparations. The Documentation Centre of Austrian Resistance was founded on February 11, 1963 by Ludwig Jedlicka, August Maria Knoll, Paul Schärf, Ludwig Soswinski and Herbert Steiner, former members of the Austrian resistance, victims of NS-persecution, and committed scholars from the sciences and humanities. The late foundation 18 years after the end of World War II is explained by the hostile political and social environment that existed in Austria in the postwar years, which was still dominated by participants of the World War and former Nazis. A landmark in the development of the center was the establishment of the DÖW Foundation in 1983. More
New York: Holocaust LIbrary, 1978. Reprint. First published in HB in 1965. Trade paperback. Trade paperback Glued binding. [6], 361, [1] p. Map of Warsaw Ghetto. More
Los Angeles, CA: Getty Research Institute, 2008. First Printing [Stated]. Hardcover. xiii, [1], 431, [3] pages. Foreword by Serge Guilbaut. Illustrations (some in color). Notes. Plates. Appendix. Chronology, Sources and Bibliographic Overview. Index. Originally published in France as L'art de la defaite, 1940-1944, Editions du Seuil, 1993. Decorative cover. Laurence Bertrand Dorléac (born January 14, 1957) is a French art historian specializing in contemporary art, a professor and an author. She was elected president of the Fondation nationale des sciences politiques in May 2021. Laurence Bertrand-Dorléac has a doctorate in art history and archeology from University of Paris 1 Pantheon-Sorbonne, and a doctorate in history from the Instituts d'études politiques in Paris, and has been advising doctoral students since 1995. She taught at the University of Lille from 1993 to 1995. That year, she obtained tenure as professor at the University of Picardy, where she founded the art history department. She now leads the Art et Sociétés and La Lettre Seminaire. She is a researcher at the Centres d'Études de Sciences Po, and was appointed to the Institut Universitaire de France in 1990. Bertrand-Dorléac also founded the art history department and directed the Faculty of Arts at Amiens from 1995–2000. She co-founded with Xavier Douroux, the book series Œuvres en sociétés with the publishing house du réel, 2007. Currently she is co-director with Thomas Kirchner, of the Centre allemand d’histoire de l’art, specifically the program of art in the world, and art in Paris after 1945, 2014. More
New York: Macmillan, 1961. First Printing. 22 cm, 302, index, front DJ flap price clipped, DJ worn, soiled, and small edge tears and chips, pencil erasure on front endpaper. More
New York: Random House, c1990. First Edition. First Printing. Hardcover. 25 cm, 306 pages. Minor wear and soiling and very small chip to DJ. Signed by the author. More
New York: Random House, c1990. First Edition. First Printing. Hardcover. 25 cm, 306 pages. Slight creases to DJ edges. Signed by the author. More
New Haven, CT: Yale University Press, 1937. Presumed first edition/first printing. Hardcover. xxiv. 303 p. Illustrations. Dramatis Personae; Chronology of the Dreyfus Case. Index. More
Garden City, NY: Doubleday, 1977. First Edition. First? Printing. Hardcover. 22 cm, 250 pages. Minor soiling to rear endpapers and fore-edge. Foreword by Elie Wiesel. Inscribed by the author. More
Garden City, NY: Doubleday, 1977. First Edition. First? Printing. 22 cm, 250, DJ worn, soiled, and edge tears. Foreword by Elie Wiesel. More
Washington, DC: Brassey's, c1994. First Printing. 25 cm, 249, illus. More
New York, N.Y. Palgrave Macmillan, a division of Macmillan Publishers Limited. 2012. First Edition [Stated], First Printing [Stated]. Hardcover. xiv, 316, [2] pages. Includes Acknowledgments, and Abbreviations and Archives. Also includes Introduction: Explaining the Liberal Predicament. Includes Part I: The Importance of Being Witty; Part II: The Pink Liberal; and Part III: The Anticosmopolitan Pluralist. Also includes Notes, Bibliography, and an Index, as well as 9 black and white illustrations. This is one of the Palgrave Studies in Cultural and Intellectual History. This study offers an intellectual biography of the philosopher, political thinker, and historian of ideas Sir Isaiah Berlin. It aims to provide the first historically contextualized monographic study of Berlin's formative years and identify different stages in his intellectual development, allowing a reappraisal of his theory of liberalism. This groundbreaking intellectual biography offers a fresh reappraisal of the philosopher, political thinker, and historian of ideas Isaiah Berlin, from his childhood to the apex of his career as a scholar and public figure. Applying a "double perspective" that examines Berlin both as an East European Jewish Emigre as well as a British Liberal Intellectual, Arie M. Dubnov illuminates the powerful tensions that defined Berlin's work, stressing the very ambivalent relation between his liberal philosophy and his Zionism. Powerfully relevant to the intellectual and political crises of today, this is a long overdue reassessment of one of the seminal figures of twentieth-century thought. More
New York: W. W. Norton & Company, 1996. First edition. Stated. First printing [stated]. Hardcover. 443 p. Endpaper maps. Maps. Illustrations. Notes. Caption Sources. index. More
New York: The Free Press, 2000. First Printing [Stated]. Hardcover. xi, [1], 436 pages. Notes. Bibliography. Index. Erasure on front endpaper. Black mark on bottom edge. Some soiling and sticker residue to DJ. Andrea Rita Dworkin (September 26, 1946 - April 9, 2005) was a US radical feminist philosopher, activist, and writer. She is best known for her analysis of pornography, although her feminist writings, beginning in 1974, span 40 years. They are found in a dozen solo works: nine books of non-fiction, two novels, and a collection of short stories. The central theme of Dworkin's work is re-evaluating Western society, culture, and politics. She does this through the prism of men's sexual violence against women in a patriarchal context. She wrote on a wide range of topics including the lives of Joan of Arc, Margaret Papandreou, and Nicole Brown Simpson; she analyzed the literature of Charlotte Brontë, Jean Rhys, Leo Tolstoy, Tennessee Williams, James Baldwin, and Isaac Bashevis Singer; she brought her own radical feminist perspective to her examination of subjects historically written or described from men's point of view, including fairy tales, homosexuality, lesbianism, virginity, antisemitism, the State of Israel, biological superiority, and racism. She interrogated premises underlying concepts such freedom of the press and civil liberties. While alive, two books were written with consideration and analysis of the body of her work. Andrea Dworkin, by Jeremy Mark Robinson, first published in 1994, and Without Apology: Andrea Dworkin's Art and Politics, by Cindy Jenefsky in 1998. An anthology of her work, Last Days at Hot Slit, was published in 2019. More
New York: Newmarket Press, 1987. First Edition [Stated], First Printing [Stated]. Hardcover. 24 cm. [12] 228, [2] pages. Illustrations. Selected Bibliography. Index. Some page discoloration. Acclaimed writer Susan Dworkin is the author of many books, including Miss America, 1945, the memoir The Nazi Officer’s Wife with Edith Hahn Beer, the novel Stolen Goods, the novel-musical The Book of Candy, the self-help book The Ms. Guide to a Woman’s Health with Dr. Cynthia W. Cooke, and the film studies Making Tootsie and Double De Palma. She wrote the Peabody Award-winning TV documentary She's Nobody’s Baby: American Women in the 20th Century and was a longtime contributing editor to Ms. Magazine. She lives in New Jersey. More
Boulder, CO: Westview Press, 1997. First Printing. 24 cm, 292, references, index, some library markings, rough spots inside boards where DJ had been pasted and then removed. More
New York: Association Press, [1970]. First? Edition. First? Printing. 26 cm, 304, maps drawn by Alice Eckardt, references, index, DJ worn, soiled, and edge tears, pencil erasure on front endpaper. More
Berkeley, CA: Interstellar Media, [c1988]. First Printing. 24 cm, 274, illus., index, pencil erasure on front endpaper. Foreword by Claude Pepper. More
Boston, MA: Beacon Press, c1997. First Printing. 23 cm, 105, usual library markings. Memoir of a German Jewish teenager who survived the Auschwitz death camp. More
Boston, MA: Little, Brown and Company, 1989. First edition. Stated. First printing [stated]. Hardcover. 444 p. Illustrations. Notes. Partial List of People Interviewed. Selected Bibliography. Index. A former award-winning journalist, Judith is the co-author of The New Crowd: The Changing of the Jewish Guard on Wall Street (Little, Brown, 1989). She shifted gears in l998 and worked as a senior associate of the Linda Chester Agency for five years before launching her own agency in 2002. Barry Rehfeld is a writer, editor and teacher. he is the author of "Home Sweet Zero Energy Home" (New Society), a book about energy efficiency and the environment. He is the co-author of "The New Crowd" (Little, Brown), a best-seller about Wall Street power. Going back over the years, he has won the NYSSCPA "Excellence in Financial Journalism" award. I was a senior writer for Institutional Investor, the features editor for American Banker and a reporter-researcher at Time magazine. As a freelancer, he wrote dozens of business stories for The New York Times, as well as feature stories for Esquire, Rolling Stone, Dissent, Film Comment and New York magazines. More