Washington, DC: American Historical Association, 1978. Wraps. xi, 322 p. Includes illustrations. 60 pages of advertisements at the back. Footnotes. Tables. More

Cambridge, MA: Cambridge Energy Research, 1987. 28 cm, 28, wraps, illus., staple in front cover, pencil note on front cover, highlighting/underlining. More

New York: Farrar & Rinehart, Inc., 1938. Hardcover. 420, front board weak, discoloration inside front and rear boards, pages have darkened with age, boards somewhat scuffed. More

[Mexico, D.F.]: Banco Nacional de Mexico, 2000. 22 cm, 37, wraps, map, tables, charts. More

[Mexico, D.F.]: Banco Nacional de Mexico, 2000. 22 cm, 44, wraps, color maps, tables, last two pages and rear cover bent. More

[Mexico, D.F.]: Banco Nacional de Mexico, 2000. 22 cm, 45, wraps, tables, charts, slight creasing to covers, some soiling inside rear cover. More

[Mexico, D.F.]: Banco Nacional de Mexico, 2001. 22 cm, 40, wraps, tables, charts. More

New York: Macmillan Publishing Co., Inc., 1974. First Printing [Stated]. Hardcover. xxi, [1], 454, [4] pages. Illustrations. Maps. Bibliography. Index. Some cover wear and soiling. Endpapers soiled, edges soiled. This is one of the Wars of the United States series. Karl Jack Bauer (born 30 July 1926 – died 17 September 1987), was one of the founders of the North American Society for Oceanic History (NASOH) and a well-known military/naval historian. NASOH's K. Jack Bauer Award is named in his memory. Jack Bauer attended Harvard University, where he completed his Bachelor of Arts degree in 1948. He went on to graduate study at Indiana University, where he earned his M.A. in 1949 with a thesis on "United States naval shipbuilding programs, 1775-1860" and his Ph.D. degree in 1953 with a dissertation on "United States naval operations during the Mexican War." Jack Bauer worked at the National Archives as an archivist in 1954–55, then in 1955–57 was appointed an historian with the U.S. Marine Corps Historical Branch, where he worked on a volume of the USMC history of World War II. In 1957, he transferred to the Naval History Division, where he worked with Samuel Eliot Morison’s staff in preparing Morison's monumental History of U.S. Naval Operations in World War II. After four years as an assistant professor at Morris Harvey College from 1961 to 1965, Rensselaer Polytechnic Institute appointed him an associate professor in 1965 and then professor of history in 1970, serving there for the remainder of his career. In 1977–78, he was visiting professor at the U.S. Army Command and General Staff College at Fort Leavenworth, Kansas. More

Lanham, MD: University Press of America, c1989. First? Edition. First? Printing. 24 cm, 238, bibliography, slight wear, soiling, and sticker residue to DJ. More

New York: Praeger Publishers, 1971. 152, illus., chronology, reading list, index, DJ worn along edges and small tears. More

New York: Oxford University Press, 1953. 21 cm, 273, illus. More

New York: McGraw-Hill, c1963. First Edition. First? Printing. 24 cm, 408, illus., endpaper illus., map, bibliography, some wear and soiling to DJ, small tears DJ edges. The American Trails series. More

New York, N. Y. Alfred A. Knopf, Inc., 1947. Third Printing [stated]. Hardcover. xxviii, 427, [9], viii [Index], [2] pages. Footnotes. Folding color map at front. Color frontis illustrations. Contains Introduction, Glossary, Bibliography, 120 Words in Seven Indian Languages of the Isthmus Tehuantepec, and an Index. Also contains 103 full pages in color and in black and white, decorations, an album of photographs by Rose and Miguel Covarrubias and others, linguistic tables, and a topographical map. DJ is in a plastic sleeve and has wear, tears, soiling and chips. These items combine with the text to make this book a rich artistic and literary mine, as well as a real publishing event. Miguel Covarrubias, also known as José Miguel Covarrubias Duclaud (22 November 1904 — 4 February 1957) was a Mexican painter, caricaturist, illustrator, ethnologist and art historian. Along with his American colleague Matthew W. Stirling, he was the co-discoverer of the Olmec civilization. His painting and illustration work brought him international recognition including gallery shows in Europe, Mexico and the United States as well as awards such as the 1929 National Art Directors' Medal. Covarrubias was invited by the 1939-1940 Golden Gate International Exposition (GGIE) that was held on Treasure Island, "to create a mural set entitled Pageant of the Pacific to be the centerpiece of Pacific House, 'a center where the social, cultural and scientific interests of the countries in the Pacific Area could be shown to a large audience.'" He was also the recipient of a Guggenheim Fellowship, and spent nine months in Bali in 1930. More